By Sandy Di Yu

The quotidian, subsumed by digital technologies, has resulted in a strange merging of temporalities and psychic disturbances. How does one reconcile the different scales between human perception and computational operations that vary enough to engender different worlds entirely? How can we begin to think about the possibility of the singularity when the rift remains this large? This game is a speculative fiction meditating on digital objects and the doleful existence of an individual caught between unkept promises and the churning wheels of a system headed towards the end of the world.
Sandy Di Yu is a writer, editor, and PhD researcher in Digital Media at the University of Sussex, focusing on the aesthetics of optimisation to bridge the temporal logics behind computational society with how interfaces and infrastructure are experienced and expressed across cultural industries. Sandy is the co-managing editor of DiSCo Journal and was the PhD Community Advocate for the Sussex Digital Humanities Lab in 2024-2025, where she co-produced the symposium All Consuming AI: Societal & Cultural Impacts, along with a series of workshops exploring digital and data futures.